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Megan observing Cameron on the director Stanley Kubrick what was learnt about the director? Stanley Kubrick made clockwork orange and the shining films. Stanley Kubrick was influenced by Soviet film makers. Influenced by novelists which lead to a story like style of film making. Often worked closely with his actors to gain a better performance. He grew up around war time which eventually led to psychology and how he sees the world and its problems. 2001 a space odyssey received critical acclaim. what have you learnt about the auteur theory? Stanley Kubrick uses Greek mythology and real world events as shown in clockwork orange this is because of his personal interest in mythology. His love of photography led to symmetry in a lot of his films and the rooms and scenes being aesthetically pleasing. He bases his movies around the psychological ideas or psychological horror which is even shown in Full Metal Jacket. Most of his films are set in or around Europe due to his love

How far does the knowledge of the production process encourage a constant shift between passive and active spectatorship. Scenes between 01:08:31 – 01:12:41 Spectatorship throughout the movie is a mainly active focus due to the neo realism style of the film which means that it is similar to real life in a lot of aspects. The film uses long cuts and handheld camera work to draw out scenes which give them the feeling of being real. Winters Bone is also set in a remote part of America called the Ozarks where it is a patriarchal society heavily based around family and their business of drugs. These factors set the movie up sounding like a movie that would be very passive however due to production and a knowledge of the area and how it is dealt with there is hardly any conflict within the film. The sequence starts with Ree and Teardrop looking in a graveyard for her fathers grave, the scene is shot hand held and ends in an anticlimax which is typical of a neo real film which ofte

Pan's labyrinth Dinner scene and the place man scene The scene is set during the night with a dinner being arranged with very posh and important fascist supporters. The scene is about the rebels and is very formal. The scene shares a lot of similarities and contrasts with the pale man scene as well as sharing symbolism of the fascist regime at the time of the film.  The scene starts with a contrast in colour from the blue toned rainy night outside and the war, red colour of the bricks and fire from inside the house. This contrast is important as it shows opposites as the house is seem as a place people want to be however the movie has shown it is not by the actions of Vidal and the soldiers within the house, this is also shown in context as they are fascist characters from Franco's reign over Spain during 1944 when the movie is set. The scene also starts with the arrival of cars carrying guests for the party the cars they arrive in are black this gives the feeling that they

prisoners analysis  The clip starts with an establishing shot showing a car and a diner while also using low key lighting to show a potentially dark point in the film. The next scene is directly contrasting the prior scene as it is a well lit room and looks fairly warm compared to the dark, rainy and cold view from before. The use of a long shot with a slow zoom in on the character from behind while still giving plenty of room in the shot for the waitress who walks in to shot to talk with the character. The next shot is switched to the other side of the table and is a medium shot showing the characters expression while allowing us to see who he is speaking to. The scene is cut off with a radio call and switches back to the outside scene where the character walks to his car. The character is next scene from a closeup shot within the car showing him answering the call and giving his reaction to it. The scene switches to a over the shoulder shot from a different car with a dark characte

Crimson Peak clip analysis The opening to the clip from Crimson Peak starts off with confusion, which is a typical convention for the horror genre, as the girl shown in the scene looks around to find her husband. During this confusion the camera is doing a close up to capture her reaction to her surroundings. The camera switches to a medium shot to show some of the room she is in while still keeping her and her reaction in frame.  The scene shows how the features of the room are concealed by darkness, this is effective because it creates a feeling of loneliness for the main character. the use of darkness is common during horror as it adds an unknown to the scene and plays with the fears of the viewer. The character is shown holding candles which are the only form of light shown and could be symbolism for hope. The sounds in the scene seem to echo giving the how the feeling of emptiness which is put in place to unnerve viewers and make them feel how the character in the scene may f